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The Art and Science of Trauma and the Autobiographical: Negotiated Truths PDF ebook

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Buy The Art and Science of Trauma and the Autobiographical: Negotiated Truths PDF ebook by author Meg Jensen published by Palgrave Macmillan in 2019 and save up to 80%  compared to the print version of this textbook. With PDF version of this textbook, not only save you money, you can also highlight, add text, underline add…

SKU: 9783030061067
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Buy The Art and Science of Trauma and the Autobiographical: Negotiated Truths PDF ebook by author Meg Jensen published by Palgrave Macmillan in 2019 and save up to 80%  compared to the print version of this textbook. With PDF version of this textbook, not only save you money, you can also highlight, add text, underline add post-it notes, bookmarks to pages, instantly search for the major terms or chapter titles, etc.
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eBook Details:

Full title: The Art and Science of Trauma and the Autobiographical: Negotiated Truths
Edition:
Copyright year: 2019
Publisher: Palgrave Macmillan
Author: Meg Jensen
ISBN: 9783030061067, 9789811331947
Format: PDF

Description of The Art and Science of Trauma and the Autobiographical: Negotiated Truths:
This book examines posttraumatic autobiographical projects, elucidating the complex relationship between the ‘science of trauma’ (and how that idea is understood across various scientific disciplines), and the rhetorical strategies of fragmentation, dissociation, reticence and repetitive troping widely used the representation of traumatic experience. From autobiographical fictions to prison poems, from witness testimony to autography, and from testimonio to war memorials, otherwise dissimilar projects speak of past suffering through a limited and even predictable discourse in search of healing. Drawing on approaches from literary, human rights and cultural studies that highlight relations between trauma, language, meaning and self-hood, and the latest research on the science of trauma from the fields of clinical, behavioral and evolutionary psychology and neuroscience, I read such autobiographical projects not as ‘symptoms’ but as complex interrogative negotiations of trauma and its aftermath: commemorative and performative narratives navigating aesthetic, biological, cultural, linguistic and emotional pressure and inspiration.

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